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Specifications and stuff:
Frequency response: 20 Hz – 18 kHz
Sensitivity: 124 dB SPL/mW
Nominal impedance: 56 ohms
Transducer: Three balanced armature transducers with passive three-way crossover
I have been listening to it for the past week, on and off in between sessions with my Sennheiser IE 8 and Denon AH-C710. These three comes at a completely different price point with the C710 costing the least, IE 8 around £180 and UM3X about £300 in the UK. I'll share my thoughts about the C710 in another review, but right now let's get to business regarding the UM3X. The UM3X sounds good, but the sound signature is an acquired taste. The sound quality here isn't disputed - it is great if you can afford the entry price - but as usual, try to borrow one or seek a test unit to hear it before buying.
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Both Comply and Shure black olives offer superior sound isolation, and in theory should offer improved bass response. I do not like using them because I find them 'muffled' and hate the icky ear wax that tends to hang on to the surface. They also cost more in the long term, though people with no issues spending £300 on a ear-canal monitor will have no issues with spending £13 every couple of months on new Comply tips.
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Unfortunately despite the cost, the cables are not modular - meaning you will have to send it back to Westone should the cable gets damaged. Also the length between the earpiece and the Y-splitter seems a little too short (in comparison the C710 is too long, and the IE 8 about perfect). I didn't find a braided cable brushing my neck to be extremely comfortable.
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They seem to be as comfortable as the Klipsch Customs (easily the most comfortable IEMs I have ever had the pleasure of sticking inside my ear canals). Also, the UM3X sits flushed inside my ears, so I guess most will not have any issues sleeping with them. I wouldn't recommend sleeping with it though, considering the cost and the lack of replaceable cable.
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They are definitely bass-light and has very little impact, not surprising considering the use of balanced armature transducers, but should be sufficient for most people. If bass quantity is something you seek, get something with a moving-coil dynamic driver like the IE 8 or Denon C710. Regardless the bass is deep and controlled and does not interfere with the music. Treble quality is brilliant, and I detected no sibilance. They have some sparkle, but lack the dynamic of the IE 8. Soundstaging is pretty decent, but is tighter than the IE 8. In any words, the UM3X offers a more head-staging experience, particularly the vocals. I feel at times if the singer was right next to me, where as with the IE 8 I tend to feel like an audience a couple of seats from the front stage.
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Do not get me wrong, these are brilliant IEMs, but as I said earlier, they also cost significantly more than the IE 8 (in the UK - in the US and some other countries the pricing gap is smaller). The issue of sound preference is definitely a subjective one. I know of people who would love the UM3X where as some will dislike it outright.
If you are a budding musician who is keen on getting a quality in-ear stage monitor without the budget for moulded custom IEMs, then perhaps the UM3X will be great for you. I don't know since I don't know squat about making music. For consumers who tend to listen through a portable digital audio player, try out the Westone 3, Sennheiser IE 8 and Shure SE530 first. Those may be better suited for you.
3 comments:
Great review, as always.
Looking forward to your views on the C710, particularly it's synergy with the x-1060
Great observation!
I do feel the same regarding the UM3X. It is suitable more for the musicians as a stage monitor.
I use Westone 3 myself after considering the UM3X and Monster Pro Copper.
Though, sometimes, I feel the sibilance coming out from the Westone 3. It is a small disadvantage I'm willing to accept compared all the good sounds coming out from W3.
I had the W3's. They had too much fake low-end. I have a pair of UM3x's on the way. Long story but the W3's are being replaced. I think I might just sell them. Nice comment about squatting around making music. If it weren't for squatter's making music what would you write about in your fancy Britentious blog? I hope your real job is something redeeming, otherwise your just taking. And being rude about it in the process.
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